Senin, 28 Juli 2014

[B594.Ebook] Free PDF The Zoroastrian Faith: Tradition and Modern Research by Nigosian (1993-09-24), by Nigosian

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  • Published on: 1656
  • Binding: Paperback

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Rabu, 23 Juli 2014

[Z453.Ebook] Fee Download A Textbook of Christian Ethics, by Robin Gill

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A Textbook of Christian Ethics, by Robin Gill

Robin Gill's A Textbook of Christian Ethics continues to be popular with students and lecturers - it is difficult to find another textbook in the field that combines primary texts with extensive analysis and commentary. This 4th edition has been extensively revised and it incorporates up-to-date developments in the field of Christian ethics. Gill retains all the popular features of the previous editions, including its layout and structure, and in this new edition he also focuses on current debates, including such topics as global Christianity, global economics, euthanasia and global justice or the environment.

  • Sales Rank: #101831 in Books
  • Published on: 2014-03-13
  • Released on: 2014-03-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.62" h x 1.76" w x 6.70" l, 2.15 pounds
  • Binding: Paperback
  • 592 pages

Review
' ... a valuable book for any student of ethics and theology.' Review and Expositor An ingenious tour de force ... an exemplary textbook which outshines its competitors past and present ... Robin Gill has done much to reclaim for Christian ethics its proper place among the theological disciplines. Professor Anthony Dyson This is an excellent blend of classical texts with modern writers yet tied together with the insightful critiques of a skilful ethicist ... Southwestern Journal of Theology The previous three editions of this book have become an indispensable source of information for students of Christian Ethics. Now the famed author has given us an expanded 4th edition with more than 100 pages of newer extracts and texts on post-colonialism, feminism, and inter-religious dialogues, mostly written by female scholars. [...] I recommend it to anyone who wishes to know more about Christian Ethics. -- Daniel Jeyaraj, Liverpool Hope University, UK Theological Book Review

About the Author

Robin Gill is the Michael Ramsay Professor of Modern Theology at the University of Kent, UK.

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0 of 0 people found the following review helpful.
Five Stars
By Sophia Freeman
This book is a very resourceful. I learned a lot from the professor, my classmates and the book.

0 of 0 people found the following review helpful.
Five Stars
By Douglas Myrie
Excellent book

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[I145.Ebook] Free PDF Sandino, by Gregorio Selser

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Sandino, by Gregorio Selser

Depicts the efforts of Augusto Cesar Sandino as the leader of a guerilla army to win freedom for Nicaragua and drive out the American forces.

  • Sales Rank: #557171 in Books
  • Brand: Brand: Monthly Review Press
  • Published on: 1982-01-01
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 8.25" h x 5.50" w x .75" l,
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English, Spanish (translation)

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3 of 4 people found the following review helpful.
Nicaragua's pride
By Y. MEDINA
Thanx to Sandino, Nicaragua could learn wahat independence means.
He was capable to oust yanks from his nation as you can read in this book. Later, heis killed by PRO-yank Somoza's dictatorship...which ruke until 1979 when sandinistas took power and gave it to the people. Nicaragua's life is for ever linked to this last name: "Sandino". Yes, this farmers son who worked in Mexico, was injected with a great love for his nation and when he returns to Nicaragua he prepares to die, to die fighting.
Sandino yesterday.... Sandino today... SANDINO FOR EVER

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Senin, 21 Juli 2014

[E436.Ebook] Download Ebook ICONOCLASH: Beyond the Image Wars in Science, Religion and ArtFrom The MIT Press

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ICONOCLASH: Beyond the Image Wars in Science, Religion and ArtFrom The MIT Press

This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving beyond the image wars, ICONOCLASH shows that image destruction has always coexisted with a cascade of image production, visible in traditional Christian images as well as in scientific laboratories and the various experiments of contemporary art, music, cinema, and architecture.

While iconoclasts have struggled against icon worshippers, another history of iconophily has always been at work. Investigating this alternative to the Western obsession with image worship and destruction allows useful comparisons with other cultures, in which images play a very different role. ICONOCLASH offers a variety of experiments on how to suspend the iconoclastic gesture and to renew the movement of images against any freeze-framing.

The book includes major works by Art & Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht D�rer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar & Melamid, Joseph Kosuth, Gordon Matta-Clark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, and many others.

  • Sales Rank: #1608451 in Books
  • Published on: 2002-07-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 2.00" w x 8.00" l,
  • Binding: Paperback
  • 703 pages

From Library Journal
This massive catalog documents an exhibition on iconoclasm, i.e., the deliberate destruction of images, at the Center for Art and Media in Karlsruhe, Germany (May 4-August 4, 2002). Edited by Latour, a Paris-based author and professor of sociology, and Weibel, director of the center, it is both fascinating and exhausting. The works included span art history from Goya to Duchamp to video artist Nam June Paik and more, while the contributors are an international collection of curators, art historians, and other academics. General readers will find the complexity of the language daunting, and only those sincerely interested will pursue the arguments presented here. But the questions raised-why is the urge to destroy images, in the name of religion or politics, so powerful? conversely, why is the urge to create images more powerful than iconoclasm? and how can we better understand the cycle of fascination, repulsion, and destruction that obsesses iconoclasts?-make for compelling reading. This volume contains so much more than the exhibition itself that readers may find it difficult to perceive the contours of the original, and the work is best understood as a standalone, far more than merely documenting the exhibit. For libraries collecting on art theory.
Michael Dashkin, PricewaterhouseCoopers, New York
Copyright 2002 Reed Business Information, Inc.

Review
"The value of the book is that is pushes on boundaries."
— Victoria George, The Art Book

"...Iconoclash...[reflects]on the power of images...and on their intimate role in religious practice."
— Paul A. Soukup, S. J., Theological Studies

"A big book to browse in, with unexpected images and arguments at the turn of every page."
— Svetlana Alpers, The Key Reporter

About the Author
Bruno Latour is a philosopher and anthropologist working in Paris. His many books on science and culture include Pandora's Box: Essays in the Reality of Science Studies, Science in Action, The Pasteurization of France, and Laboratory Life. He was curator of the ZKM exhibit ICONOCLASH and co-edited the accompanying MIT Press book ICONOCLASH: Beyond the Image Wars in Science, Religion, and Art.

Peter Weibel is Director of ZKM | Center for Art and Media Technology, Karlsruhe, and coeditor of other ZKM books, including Making Things Public: Atmospheres of Democracy (MIT Press).

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19 of 21 people found the following review helpful.
A superb textbook about Nothing made visible
By Saul Boulschett
In many ways this massive Yellow Pages-sized book sums up what I have always suspected about the visual arts in our time as such: That their greatness comes from the collective force of one-liners which are not all that arresting taken individually. This book really shows that the function of art in our time is that of a collective commentary on the Sutra of Art, and as such necessarily way more verbose than the original "sacred" text. Here all the eminently forgettable one-liner images made in the name of art, anti-art, art-taboo, and art voodoo throughout history---from all cultures--are gathered and presented in the full glory of their collective greatness.
But, do take note that this book is not an "art book" as such, and certainly not a coffee table variety. It belongs on your desk along with your dictionaries and encyclopedias. This is a textbook at its finest. The meat of this book is really the essays, with the images---many of them small but very clear-- inserted to augment the discussion, not the other way around.
So then what are some of the things discussed? A set of essays is grouped under a particular question, and there are some 12 plus questions that cue you in right away as to what is going to be discussed. It is like having a seminar program showing the topics to be discussed, time, and room numbers.
Some of the questions asked and responded to: WHY DO IMAGES TRIGGER SO MUCH FUROR? WHY ARE IMAGES SO AMBIGUOUS? WHY DO GODS OBJECT TO IMAGES? WHAT IS ICONOCLASH? WHAT HAS HAPPENED TO MODERN ART? HAS CRITIQUE ENDED?
What intelligent person could possibly resist the temptation to find out what people have said in response to these questions? I would be a liar to say that I have read through every single essay in the book. I have not. But what I have read so far--a huge chunk--have all been very thoughtful and sincere. Now that's rare in a book whose subject matter concerns art-talk!
With over fifty people writing, talking, interviewing, there is a huge range of styles of discourse, some delightful, some witty, some funny, some dry. But, all in all, this is a very thoughtful and timely presentation of an important subject with minimum pretentiousness. As the subtitle indicates, it concerns all who take interest in the problem of images in art, religion, and science. Highly recommended.

4 of 19 people found the following review helpful.
wow it'sgood
By A Customer
This book rocks. I think that this is the most interesting book about the clash over Icons and imagery in modern day society.

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Kamis, 17 Juli 2014

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Counting Stars (Readers Circle), by David Almond

David Almond’s extraordinary novels have established him as an author of unique insight and skill. These stories encapsulate his endless sense of mystery and wonderment, as they weave a tangible tapestry of growing up in a large, loving family. Here are the kernels of his novels—joy and fear, darkness and light, the
healing power of love and imagination in overcoming the wounds of ignorance and prejudice. These stories merge memory and dream, the real and the imagined, in a collection of exquisite tenderness.


From the Hardcover edition.

  • Sales Rank: #790456 in eBooks
  • Published on: 2002-04-23
  • Released on: 2002-04-23
  • Format: Kindle eBook

Amazon.com Review
In the elegant, hypnotic, thoroughly engaging Counting Stars, British author David Almond, winner of the Michael L. Printz Award for Kit's Wilderness and a Printz honor for Skellig, shares a collection of stories about his childhood "in a small steep town overlooking the River Tyne." Echoing the bright, witty banter of his large family in pages of fascinating dialogue, Almond recounts tales of his Catholic upbringing (where counting stars in the sky past 100 is a blasphemous attempt to know the unknown), the deaths of his father and sister, poignant stories of local boys and girls with bitter plights, a lonely old woman who keeps her lost baby in a jar, stolen kisses, whispered rumors, dreams of angels, sensual memories of warm grass and sunshine, lemon curd and marmalade. The stories are not chronological, but thematic, and they are simply beautiful. No one captures the mysticism of childhood like Almond, and his readers will be overjoyed to see the ways in which his own history is mirrored in the odd, magical worlds created in his novels. In the author's words, the stories "merge memory and dream, the real and the imagined, truth and lies. And, perhaps, like all stories, they are an attempt to reassemble what is fragmented, to rediscover what has been lost." Almond paints a landscape of the soul and shows his readers the magic of humanity. It seems he can do no less! (Ages 13 and older) --Karin Snelson

From Publishers Weekly
In this evocative collection of autobiographical vignettes, Almond's writing exudes the same haunting mood that characterizes his novels (Skellig; Kit's Wilderness; Heaven Eyes). Here, readers can trace connecting threads between his published works and his childhood experiences as a sensitive, pensive English child preoccupied by the mysteries of religion, death and immortality. Rather than moving linearly, stories, set in the author's predominantly Catholic neighborhood, provide a spinning carousel of surreal images connecting different eras and piecing together fragments of memories. Town outcasts seem to change form as Almond reveals their poignant histories. Family members who die untimely deaths make surprising reappearances ("The week after our sister Barbara died she was seen walking hand in hand with Mam on this road toward the field... [They] walked with a fluency which neither had in their lives, for Barbara had been an invalid child and Mam was already badly damaged by arthritis"). Mam re-emerges in one tale as a vibrant young dancer when her son gazes at an old photograph taken during her girlhood. In another, three deceased family members each define the word "death." At the heart of every selection, readers will feel the presence of the budding young writer gracefully, yet often sadly, riding waves of change while trying to make sense out of the world around him. The montage of scenes "merge[s] memory and dream, the real and the imagined, truth and lies," and expresses pearls of wisdom that will remain fixed in readers' imaginations. Ages 10-up.
Copyright 2002 Cahners Business Information, Inc.

From School Library Journal
Grade 5-9-Eighteen nostalgic vignettes form the patchwork of this memory quilt, Almond's wistful recollection of the people and places he knew during his childhood in a poor mining town in the north of England nearly 50 years ago. Like memory itself, the stories weave in and out of time and place, and while they appear disjointed at first, they quickly and subtly reveal patterns and themes that mold the boy into a man: the abiding love of parents and siblings, even beyond their deaths; first cigarette, first fight, first love; and the ubiquitous, disapproving eye of the Catholic Church and the teenage temptation to spit in it. Lilting dialect and homespun humor imbue Almond's narrative with a beauty and simplicity that transcend the poverty and squalor of the diverse settings, which range from graveyards to fun fairs, schoolrooms to empty lots. The chronological and cultural gap that separates Almond's youth from that of modern children is so palpable in these stories that many readers will feel overwhelmed and perhaps even discouraged. Tenacious ones, however, will be rewarded with a captivating portrait of Almond the child, whose life experiences helped produce Almond the writer and his eloquent body of literature.
William McLoughlin, Brookside School, Worthington, OH
Copyright 2002 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Autobiographical Short Stories
By Sir Furboy
I love David Almond's writing, and this book is no exception. This is an autobiographical account, detailing the author's childhood in Felling. The writing is, as usual, both accessible and profound - and there are hidden depths here.

One thing that was odd about this book was the way it revealed all the sources of inspiration used in the other David Almond books I have read. There were hints of Skellig with the talk if angels and shoulder blades being vestigial wings. I could see inspiration for the fire eaters in the story about passing the eleven plus, and in one of the character names. The choirboys in Clay find their inspiration in the author's catholic upbringing. And so it goes on.

This is perhaps not a surprise. Most authors - maybe all the good ones - use real life experiences and locations as inspiration for their works. The only odd thing was that as I read this story, I was so clearly put in mind of all the others.

3 of 3 people found the following review helpful.
Well-written and poignant.
By Teen Reads
David Almond is the author of several critically acclaimed books, including the marvelous SKELLIG, about things with wings; the mysterious KIT'S WILDERNESS, about things deep underground; and the peculiar HEAVEN'S EYES, about runaway orphans finding family in the presence of a simple, innocent girl. Almond's books are filled with metaphysical darkness and mystery. If anyone has ever wondered where his ideas come from, COUNTING STARS provides clues as it is a collection of short stories based on his boyhood growing up Catholic in northern England.

One in a large family of siblings, Almond experienced several debilitating blows early in life. The loss of a sister haunts the book, along with the untimely death of his father. These events lend a melancholy tone to COUNTING STARS. Readers of his other work will recognize the mines, the spirits of lost loved ones and a village simpleton, who claims to see visions of the Virgin Mary.

COUNTING STARS is darker than Almond's previous books. It is possible that some readers may be upset or confused by stories that have disturbing themes beyond death and displacement. One story,

5 of 6 people found the following review helpful.
"Stars" shines
By E. A Solinas
You've read his stories about bird-men in the garage, ghosts of prehistoric humans, and strange girls with webbed fingers. Now read a unique, wistful book -- half autobiography, half fictional short stories -- that goes back to David Almond's childhood in a small English mining town.
Almond goes back to Stoneygates and looks at things through the eyes of a child -- the world is a magical, mystical place, where sadness and joy lurk around every corner. He writes of a lonely old woman who keeps her dead baby in a jar, and what happens to the lost baby after her death. He writes of a tender first love with a girl at the church. He writes of a retarded woman who claims to have been visited by the Virgin Mary, of the deaths of his parents and sister, a homeless man whose voice was stolen by a fanatical headmistress, of a crisis of faith, of a tormenting bully, of a trip into a fairground "Time Machine," a kindly but strict priest who claims that to count more than a hundred stars is blasphemy, and of angels who show him what he most longs to see.
It's impossible to tell how much of this is true, and how much is imagined. But the elements woven into the story are disarmingly real. Death, life, God, faith, suffering and love are presented in a uniquely surreal manner. His descriptions are starkly evocative; he may describe an angel merely as looking like a woman, but more perfect, and the reader will understand perfectly well what he is saying. Even though it's clear he often does not agree with some of the people in this (the strict priest, for example) Almond never treats them with scorn or mockery unless they are genuinely cruel.
It's a beautiful glimpse of what went into the creation of such modern classics as "Skellig," "Kit's Wilderness" and "Heaven Eyes." A treasure.

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[F658.Ebook] Free Ebook Speaking in the Public Sphere (Penguin Academics), by Steven Schwarze

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Debuting it its first edition, Speaking in the Public Sphere empowers students by helping them to develop the rhetorical skills necessary for effective citizenship and meaningful civic participation. Students are encouraged to see public speaking not only as a technical skill, but also as a means to empower themselves and improve the world around them. Case studies and numerous examples help students see how ordinary citizens can make a difference in their world through effective public speaking.

  • Sales Rank: #521741 in Books
  • Brand: Pearson
  • Published on: 2011-09-23
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 7.40" l, 1.43 pounds
  • Binding: Paperback
  • 480 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent used book,
By Sabrinne Souza
The book was in excellent conditions, more than I wished. it was like new, and I enjoyed using it. Thanks

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Essential pages are missing

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Minggu, 13 Juli 2014

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Value Investing: A Balanced Approach, by Martin J. Whitman

"Essential reading for anyone in today's turbulent markets." -Jeffrey E. Garten, Dean, Yale School of Management

Praise for MARTIN J. WHITMAN and VALUE INVESTING

"An excellent book on investments. But, more importantly, this volume is a primer explaining to Main Street, especially Main Street businesspeople, how Wall Street really operates." -Eugene M. Isenberg, Chairman of the Board, Nabors Industries, Inc.

"A must read for all thoughtful investors interested in a rational, disciplined, risk-averse template for successful long-term compounding." -O. Mason Hawkins, CFA, Chairman and CEO, Southeastern Asset Management, Inc. and The Longleaf Partners Funds

"This author knows whereof he speaks. His many years of extremely successful experience as a professional manager of investments, his academic training, and his period of teaching at a major university all make their mark on this illuminating volume. It reveals how a bright, analytically minded person with extensive practical experience studies and evaluates investments." -William J. Baumol, Professor and Director, C.V. Starr Center, NYU Professor Emeritus, Princeton University

"This book by an experienced and practicing master, Martin Whitman, is a treasure and a reference book on how to think and feel like an owner of a business without the headache of running it day to day." -Papkens Der Torossian, Chairman and CEO, Silicon Valley Group, Inc.

"Marty Whitman is renowned for his uncanny instincts and insights in picking bargains in stocks and bonds. His book is a real bargain. To benefit from decades of Marty's experience is invaluable and to have such a commonsense and realistic approach is an extra dividend." -Milton Cooper, Chairman, Kimco Realty Corporation

Please visit our Web site at www.wileyfinance.com

  • Sales Rank: #1098235 in Books
  • Published on: 2000-09-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .85" w x 6.08" l, .80 pounds
  • Binding: Paperback
  • 288 pages

Review
"The book has a lot and I recommend it. It is remarkably well written for a book on finance and, perhaps most importantly, easily comprehensible."(Investment Adviser, 22 January 2001)

From the Inside Flap
"Marty Whitman is one of the country's savviest investors but also a great intellect. This book, the outgrowth of his teaching at Yale School of Management, is essential reading for anyone in today's turbulent markets." - Jeffrey E. Garten, Dean, Yale School of Management

An in-depth look at the modern realities of valuing companies, this comprehensive resource offers an antidote to conventional "ivory tower" financial theories. Value Investing shows investors how to use the same valuation techniques as are used in private business and by control investors. It replaces the practice of excessive price watching with a "bottom-up" approach to corporate analysis. Written by seasoned investor Martin Whitman, the book delivers a proven approach to what is a fruitful, yet potentially dangerous venture.

With clear explanations and straightforward guidelines, Whitman gives investors the tools necessary to fully understand and capitalize on the key to successful value investing: accurately valuing a business or valuing the workout potential of troubled companeis. Beginning with a description of what exactly value investing is, Whitman compares it with other investment disciplines, such as academic finance, Graham & Dodd fundamentalism, and conventional research "as it seems to be practiced by most 'sell' side analysts employed by broker/dealer research departments as well as most 'buy' side analysts who manage money."

The key concepts of value investing are then discussed, including corporate valuation, the substantive characteristics of securities, capital structure, promoters' and professionals' compensations, and the uses and limitations of financial accounting and narrative disclosure. Value Investing provides an analytic framework for evaluating the impact of real world factors, such as public policy and regulation, mergers and acquisitions, government and corporate finance, restructuring troubled companies, stockholder litigation, corporate power plays, and corporate share repurchase.

Thorough, accessible, and practical, Value Investing is essential reading for anyone seeking a well-rounded overview of this important topic.

"Marty Whitman is renowned for his uncanny instincts and insights in picking bargains in stocks and bonds. His book, "Value Investing: A Balanced Approach", is a real bargain. To benefit from decades of Marty's experience is invaluable and to have such a commonsense and realistic approach is an extra dividend." - Milton Cooper, Chairman, Kimco Realty Corporation

From the Back Cover
"Essential reading for anyone in today's turbulent markets." -Jeffrey E. Garten, Dean, Yale School of Management

Praise for MARTIN J. WHITMAN and VALUE INVESTING

"An excellent book on investments. But, more importantly, this volume is a primer explaining to Main Street, especially Main Street businesspeople, how Wall Street really operates." -Eugene M. Isenberg, Chairman of the Board, Nabors Industries, Inc.

"A must read for all thoughtful investors interested in a rational, disciplined, risk-averse template for successful long-term compounding." -O. Mason Hawkins, CFA, Chairman and CEO, Southeastern Asset Management, Inc. and The Longleaf Partners Funds

"This author knows whereof he speaks. His many years of extremely successful experience as a professional manager of investments, his academic training, and his period of teaching at a major university all make their mark on this illuminating volume. It reveals how a bright, analytically minded person with extensive practical experience studies and evaluates investments." -William J. Baumol, Professor and Director, C.V. Starr Center, NYU Professor Emeritus, Princeton University

"This book by an experienced and practicing master, Martin Whitman, is a treasure and a reference book on how to think and feel like an owner of a business without the headache of running it day to day." -Papkens Der Torossian, Chairman and CEO, Silicon Valley Group, Inc.

"Marty Whitman is renowned for his uncanny instincts and insights in picking bargains in stocks and bonds. His book is a real bargain. To benefit from decades of Marty's experience is invaluable and to have such a commonsense and realistic approach is an extra dividend." -Milton Cooper, Chairman, Kimco Realty Corporation

Please visit our Web site at www.wileyfinance.com

Most helpful customer reviews

47 of 49 people found the following review helpful.
Disappointment
By Whippet
Whitman is brilliant, but as a writer he suffers from some serious defects. Chief among them is his obsession with proving academics wrong. Rather than write much on how he thinks through and makes real-world investments, he spends most of his ink distinguishing value investing from Efficient Market Theory and Graham-and-Doddism. It gets old, and dull. And he constantly qualifies his statements with "probably", "would seem", and so on, and undermines himself. The writing also utterly lacks any sense of humor. Finally, I was disappointed that Whitman--who is an astute and detail-oriented investor--did not include more case examples, with financials, to show his reasoning and method at work.

His first outing, The Aggressive Conservative Investor, is better in many ways, but is still turgidly written.

Given Whitman's talents, track record and reputation for smarts, this is a real let-down.

1 of 1 people found the following review helpful.
False Contrasts
By Disappointed
The books covers a lot of fundamental good ideas. He constant false constrast of Graham and Dodd are distracting and cast substantial doubt on the balance of his representations. On page 15 he represents a tenant of value investing contrasting Graham and Dodd "Market Price is not something to predict but something of which to take advantage." Anyone who has read Graham knows that is consistent with his concept of Mr. Market, not contrasting to it. On page 73 he states "Graham and Dodd believed that general market considerations deserved more weight than bottom-up fundamental analysis", that is a false representation. If he could write his book without the false statements regarding Graham and Dodd, it would be a much better document. His ideas and representations can be made without the false contrasts, they don't add value they very much take away.

30 of 32 people found the following review helpful.
Odd book - who is it aimed at?
By Marc Thatcher
Couple of odd things about this book. First is Whitman's invention of acronyms to refer to simple concepts (such as minority investors) which makes the book more confusing to read than it needs to be. Bigger problem however is it is unclear to me who is supposed to read it. The first 200 pages are a rant against the efficient market hypothesis, investment banker fees and a couple of other topics interspersed with a basic overview of markets. Last 30 pages are an advanced discussion on distressed security investing (one of the author's many talents) and dividend policy.
I was bored for 200 pages & interested for 30. Others would be the other way round. Very odd.

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